Lets start almost where we left off.. Wall E is a Pixar film that has grown up. It has laughs to be sure, but its not really a comedy. It has light hearted moments, but it certainly has some pretty heavy undertones at the same time. This balance really works and there is a certain subtlety one might not catch the first time or at the initial viewing. As previously mentioned most of the beginning of the film is without dialogue. So when you hear the first voice (advertising something) it is rather startling. In this future Buy-n-Large (BnL)
http://www.buynlarge.com/ is the conglomerate that owns every facit of life and its adverts are everywhere. It seems that it's the Wal-Mart that was left to abuse capitalism, yet we are never led to believe it is in any way evil (well, perhaps the tool of evil) so it's not some heavy handed swipe at 'evil capitalism'. It just exists in this future vision of the world and there you have it. Even the President of the planet is the BnL CEO. Speaking of President, in what no doubt marks a first for Pixar, a live action element was added to the picture. In video playback we see newsreel of the President, people of the "past", and the video of "Hello Dolly" as real people. The images are processed, but Hello Dolly is the real deal, the other elements were indeed shot by a live action unit. There might be purists who scoff at this, but I rather liked it (with one exception which I will get to later).
In what I consider to be brilliant casting, Fred Willard plays the BnL Ceo/President of the planet. As soon as he appears on screen with the presidential seal in front of him, you realize the earth was in TROUBLE! LOL Pixar managed to convey the fact that somehow humanity had reached a point where Fred Willard could be president. In one second his face told you all you needed to know about where the human race was at the time the advertisement was supposedly shot. Loved it. We also see in the same ad, modelesque perfect looking people overlooking a indoor veranda at a great expanse of what looks to be a huge pool area of a resort. They are looking in on the recreational area of the Axiom. A spaceship that is to ferry the human race to the outer reaches while the corporation cleans up the Earth. This is as close as exposition as you get in the film and it didnt feel like it.
Wall-E rolls about this wrecked Earth, processing the trash by pulling it into his body, crushing it, and spitting it out into a compressed cube. He obviously was supposed to stack it for retrieval, however somewhere along the line he got creative. He started mimicking the architecture around him (appears to be NYC) and has made his junk stacks into facsimiles of skyscrapers. Im pretty sure there is a deeper metaphor here, but I'm too dense to see it. I think (as I said before) this is where Wall-E started to deviate from his programming. This creativity most likely led to other self discoveries that put him where he was when the audience is introduced to him. The landscape itself is painted in a warm tone, although not a tone that conveys a lot of 'life'. As he plods along within it he will find remnants of humanity here and there.. yard gnomes (which he seems to have a fondness for), a Rubix cube, and various other knick knacks.
We see this great empty city, and the camera pans down to reveal this little roach poking his head through the trash. Most people in the audience seemed to get that joke , what you don't know at the time is that this is Wall-Es only companion. He treats it like a pet, and it acts as one too. There is also a funny in-joke about the roach eating Twinkies that Wall-E finds. I love that. The adults will get the joke about Twinkies having a billion year shelf-life, and the kids love the way the roach eats it (by going into one hole at the bottom and eating the creme till he gets to the other one). Its screen gags like this that make the film so universal. Like when I watched a lot of films as a kid, I liked them for one aspect but as I grew older and re-visited it I appreciated it on a whole new level. The original Batman series with Adam West was this way with me. I watched it as a kid and really got into it as a action hero show, never picking up on its absurdity and humor. When I watched it again a few years ago, I found it fantastic with its campy dialogue and in-jokes.
Back at Wall-E's apt, we get a better sense of who he has become. Wall E takes his treads off and readys for the evening and hangs them up. It is revealed (or rather, one infers) that he has made his home in an old BnL Wall-E transport. He has a rotating shelf of items he likes to collect and he deposits his day's findings there from his little igloo cooler that he carries to 'work' everyday and there is a great scene where he finds a spork and cant figure out if it belongs with his fork or spoon collection. Eventually he goes over to his Ipod and flips it on, then he pulls out what is obviously his most prized possession.. a video copy of "Hello Dolly". He gingerly places it in the VCR and starts it. He throws a magnifier in front of the Ipod screen and continues to put things away for the night. Momentarily he will return to the screen and watch when his favorite bits come on. He tries to dance like the dancers and hits a button on his chest to record his favorite songs. In between he runs around and continues to tidy up and always to break his neck getting back to the screen when his favorite parts are on. At this point he sees the love story unfold on screen and as he slowly hits record, his eyes are wide and you detect a real sense of longing in him. The scenes in his apt cant be overstated, they are where you truly attach to this robot. In the scenes preceding it, you get to know the setting. Here, without a single bit of dialogue, you get to know the character.
Wall E is fascinated with the little things. Anything that breaks the monotony seems very welcome. There is a really cute scene with a laser dot that Wall-E focuses so much attention on that he loses site of whats about to come down on him (literally). When a giant space ship lands and deposits a shiny new robot, Wall-E follows it like the laser dot. Of course, little does he know something even bigger is about to come down on his shoulders. However, I feel its this sense of wonder that allows the audience to slowly grow to appreciate the wonders that Wall-E reveals on his journey.
The ship deposited an Extraterrestrial Vegetation Evaluator or "EVE" (pronounced Eva). EVE roams the land scanning everything. Wall-E follows with a fascination that borderlines love at first site. EVE looks nothing like anything in Wall-Es world. Sleek, bone white clean, EVE hovers over the landscape gliding then exploding into break neck speed across the landscape. Wall -E follows, occasionally bumping into things which turns Eva into a laser blasting death machine. Still, Wall-E is completely taken by this other being and continues to follow until finally the two meet.
He takes her back to his place and shows off his collection. She is more or less unimpressed and seems to have something else on her mind. It is revealed this distraction would be her 'directive' which she wont let WALL-E in on. However Wall-E is more than ready to show her HIS directive and in a very cute scene promptly stuffs trash in him and plops out a cube. At one point he shows her his "Hello Dolly" video which she immediately starts to unravel from the spool. He freaks and winds it back in... trepidatiously checks the video to find it still works, then in another great scene tries to dance for her... when this fails, he goes about to find something else to entertain her, she sees the romantic part of the movie that caught Wall-E's eye earlier... I think perhaps this is the spark that started her on the way to individuality. However, this moment is lost a second later when he pulls out a plant he had found one day and stuffed in a shoe keeping as a curiosity. She goes into freak out mode upon seeing it, and stuffs the plant inside her then shuts down (aside from a glowing plant icon). She sends a signal out to unknown reaches (which was done as a throwback to the RKO pictures radio wave). I liked this bit a lot.
Wall-E is devastated and in a great scene that would pay off much later in the film he does everything he can to bring her back to 'life'. Eventually, after many days (or weeks?) he reluctantly gives up and goes back to work, much sadder.
This is when the retrieval ship shows up for EVE. Wall-E rushes back and literally jumps on this ship at the last minute to hang on for dear life. As before, he has one focus and that is EVE, who he is completely in love with. As he passes through the stratosphere into space, he starts to be distracted by the many wonders of the universe. I loved this bit. This is the call to adventure I mentioned in the other review. He looks around at the beauty around him and takes it all in. There is a moment they fly close to Saturn's rings and he reaches up to touch them displacing the ice crystals. Pixie dust...if you will...swirling around him.
Then from out of a nebula (cloud) the Axiom is revealed. Much like Oz, his house lands and a strange assortment of small bots are there to greet the ship as Wall-E remains hidden. The Axiom is the picture of order and control. Nothing is out of place and even the robots have 'path lines' they follow for maximum efficiency. You see there is a hierarchy here as well, and although nothing threatening is revealed one gets the sense of totalitarianism.
Aboard the Axiom all is revealed about what happened to humanity. It had been 700 years since man had left earth, and they are now completely addicted to ads, entertainment, and trends.. oh, and everyone is morbidly obese. And here is what I had slight problems with...The obese people were CGI, but the people in the videos were live action. I wonder why this was done? I think perhaps because humans seemed like such a characterization at this point that it just made sense to make them literally so. Anyway, the colors here are all cold and sterile. Robots do everything for the humans and the ships computer is a throwback to HAL (complete with red eye). Wall-E causes great concern for a little OCD cleaning bot named M-O who is forced to jump his 'path line' to clean the tracks that Wall-E leaves. This moment will represent M-O's leap into free thought and independence and he will become a pivotal character later on.
Wall -E is off and running with M-O in hot pursuit (but only to clean
), looking for EVE (who has been deposited 'somewhere' else on the ship. He comes across a hallway where robots and the humans on their hover chairs whisk by (humans cant walk for the obesity). Wall-E causes a crash of a chair and the human comes tumbling out. Then in a moment that is almost thrown away, the human connects to Wall-E (as wall-e struggles to lift the person back on the hover-chair). Later, wall E tries to get by a lady on a subway car in her hoverchair and accidentally turns off her display which causes her to open her eyes to the world around her for the first time. I love this about Wall-E. The character spread freedom like a virus to everyone he touched. He solidified the metaphor that humans can be as easily plugged in and programmed as robots, and he gives hope to those that feel powerless to break from it. There are a lot of deeper innuendos snuck into the plot here that I really dug.
There is a lot more to come, but I have too much to do. Please feel free to post your thoughts if you have seen it.